by Simon Shieh
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I have not forgotten my vow.
Every morning I wipe the sweat
from the hollow of my master’s throat.
At first he can only move his eyes
from the hollow of my master’s throat.
At first he can only move his eyes
then his jaw. On his dresser
stands a portrait of each ex-wife with her arm
around a different child.
stands a portrait of each ex-wife with her arm
around a different child.
I take his left arm in my lap like a mandolin
rescued from a burning cathedral, wonder
if all the houses I burned down
rescued from a burning cathedral, wonder
if all the houses I burned down
were my own—
their velvet skeletons
still blowing in the wind.
their velvet skeletons
still blowing in the wind.
He mocks my Velcro wallet, the beauty
of my eyes. He tells me that one day
he will teach me everything I need
of my eyes. He tells me that one day
he will teach me everything I need
to know—how to touch a woman
on a roller-coaster, how to pull the ghost from a dress
floating in a river. I press the muscle
on a roller-coaster, how to pull the ghost from a dress
floating in a river. I press the muscle
in his shoulder with my thumb
until it softens, move my hands
across his chest,
until it softens, move my hands
across his chest,
finding the pain in his body
as if it is my own—my own spine
dripping last night’s rainwater onto the mattress
as if it is my own—my own spine
dripping last night’s rainwater onto the mattress
my knees, two locked doors. Finally,
I spread a hot towel over his face
and see the woman he cannot
I spread a hot towel over his face
and see the woman he cannot
stop dreaming of. Her hair
vanishing into the air above him
like steam. He tells me
vanishing into the air above him
like steam. He tells me
that every scar is an eye which,
after seeing too much, has been sealed
shut. And only after I leave the room
after seeing too much, has been sealed
shut. And only after I leave the room
does he surrender to the pain.
Foam gathering on his lips, tears streaming
down his temples.
Foam gathering on his lips, tears streaming
down his temples.
Sometimes, I forgive him. Sometimes,
I forgive myself.
I forgive myself.
Read on . . .
“Family Portrait as a Collection of Bones,” a poem by
Julia Kolchinsky Dasbach
Julia Kolchinsky Dasbach
“Learning the Ancestors’ Tongues and Other Poems”
by Philip Metres
by Philip Metres
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