by Kirun Kapur
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Indecent bird. Lovely
as an oil slick with wings,
you’ve called me
to the summer garden.
Tin cans of light are crashing
through the pear tree—
trash, umbel, globe, and bract,
come kiss my ass—that’s how
through the pear tree—
trash, umbel, globe, and bract,
come kiss my ass—that’s how
you sound, how you (rash bird!)
can lure me. Can I keep coming back
to this garden, if I’m called?
I have a man I love
can lure me. Can I keep coming back
to this garden, if I’m called?
I have a man I love
and a boy, who will be a man,
whose bones I still feel click
and thrash where I put my arms around him
just this morning—the lash
whose bones I still feel click
and thrash where I put my arms around him
just this morning—the lash
of your voice tells me, I should call
my loves while I can
to listen to the grackles croak and clack
in a nest built with half a ramen cup.
my loves while I can
to listen to the grackles croak and clack
in a nest built with half a ramen cup.
They tumble out into the yard.
For a moment, two tall figures
stand twitching like the stuck hands of a clock
then, crude slash of sound—
For a moment, two tall figures
stand twitching like the stuck hands of a clock
then, crude slash of sound—
boy or man (or you, bird)—sends them
swooping and dashing through
panicles, perennials, old blackberry canes.
Let it always be this way—noise
swooping and dashing through
panicles, perennials, old blackberry canes.
Let it always be this way—noise
summoning, mustering us together
to search out the brash
mother who curses
and flashes her wings.
to search out the brash
mother who curses
and flashes her wings.
Read on . . .
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